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Fela Kuti The life of Fela is full contradictions, and that's part of what makes him so captivating. People who love him will forgive the parts of him that aren't perfect. His songs are often longer than 20 minutes and are performed in a slurred Pidgin English that is almost unintelligible. His music is heavily influenced by Christian hymns and jazz, classical music Yoruba singing, and horn-andguitar heavy highlife. He was a musician Fela Kuti embodied that music can be a tool to change the world. His music was used to argue for political, social and economic changes. His influence can be present to this day. Afrobeat is a style of music that combines African and Western influences. Its roots lie in West-African high-life and funk however, it has developed into its own style. His political activism was ferocious and unflinching. He used his music to protest government corruption and human rights violations. Songs such as “Zombie”, “Coffin for the State Head” and others were bold criticisms of Nigeria's government. He also used his residence, Kalakuta Republic, as a hub for political activism as well as an opportunity to meet like-minded individuals. The play includes a large portrait of his late mother, Funmilayo Ransome-Kuti, who was a well-known feminist activist and feminist pioneer. Shantel Cribbs plays her, and she does an excellent job of conveying her importance in Fela's life. The play also explores her political activism. Despite her deteriorating health she was unable to get checked for AIDS and instead opted for traditional medicine. He was a singer Fela Ransome Kuti was a complex person who used music to effect political change. He is credited as the creator of afrobeat. It was an invigorating blend of dirty funk and traditional African rhythms. He was also a relentless critic of Nigeria's political and religious leaders. Being raised by an anti-colonial suffragist mother, it is no surprise that Fela was interested in politics and social commentary. His parents had hoped that he would become a doctor however, he had other ideas. A trip to America changed his life forever. The exposure to Black power movements and leaders like Malcolm X and Eldridge Cleaver would have a profound influence on his music. He adopted a Pan-Africanism ethos that would guide and inform his later work. He was a writer. While in the United States Fela was introduced to Black Power activists like Stokely Carmichael and Malcolm X. This led him to start a political group called the Movement of the People and write songs that expressed the ideas he had about political activism and black awareness. His philosophies were publicly expressed by yabis – a type of that he described as 'freedom expression'. He also began to impose an ethical code of conduct on his band. This included refusing to accept prescriptions from Western-trained physicians. Fela returned to Nigeria and began building his own club in Ikeja. The police and military officials were almost every day. His Mosholashi-Idi Oro hangers were able to repopulate the area surrounding the club with hard drugs, especially “bana” and “yamuna” (heroin). Fela kept his integrity in spite of this. His music is a testimony to his determination to challenge authority and demanding that popular ambitions are recognized in official goals. It is an enduring legacy that will endure for generations. He was a poet Fela's music used sarcasm and humor to draw attention to the political and economic issues in Nigeria. He also made fun of his audience, the government, and even himself. In these shows, he would refer to himself as “the big dick in the little pond.” These jokes were not taken lightly by the authorities, and he suffered repeated arrests and imprisonments, as well as beatings at the hands of authorities. He eventually renamed himself Anikulapo, which means “he carries death in his pocket.” In 1977, Fela recorded a song called “Zombie,” which compared soldiers to mindless zombies that followed orders without question. The military was irritated by this and raided Kalakuta Republic. They burned the place down and beat its inhabitants. During the raid, Fela's mother was thrown from her second-floor window. In the years following Nigeria's independence, Fela created Afrobeat, an genre of music that combines jazz with native African rhythm. His songs criticised European cultural imperialism, and he favored traditional African beliefs and cultures. He also criticized fellow Africans who violated their nation's traditions. He also stressed the importance of freedom and human rights. He was a rapper Fela Anikulapo Kuti, trumpeter and saxophonist, was born in Abeokuta in 1938. He is a pioneer of Afrobeat music. He grew up listening to jazz and rock and roll, as well as traditional African music and chants which helped shape his unique style of music. After his trip to the United States in 1969, Fela met Sandra Smith, an activist from the Black Power movement and her ideas influenced his work profoundly. When he returned to Nigeria, Fela began using his music as a political tool. He was critical of the government in his country of birth and argued that African culture should not be submerged by Western sensibilities. He also wrote about human rights violations and social injustices. right abuses. He was arrested repeatedly for his criticism of the military. fela railroad settlements was also a fervent advocate of marijuana in Africa, which is known as “igbo”. He frequently held public discussions at Afrika Shrine, called “yabis” where he would slam government officials and promote his beliefs about freedom of expression and the beauty of women's bodies. Fela had a harem, which was a group of women who performed at his shows, and also backed him vocally. He was a dancer Fela was a master of musical fusion, taking elements from jazz, beat music and highlife to create his own unique style. He was a renowned African musician and a vocal critic of colonial ruling. Fela refused, despite being tortured and arrested by the Nigerian military junta as being a witness to the murder of his mother. He died from complications due to AIDS in 1997. Fela was an activist in the political arena who was a critic of the oppressive Nigerian government and believed in the principles of Pan Africanism. His albums, like 1973's Gentleman focused on the oppression of both the government and colonial forces. He also pushed for black power and criticized Christianity and Islam as non-African influenced religions that were used to divide the people of Africa. The title track of a 1978 album, Shuffering and Shmiling, describes the over-crammed public busses packed with workers “shuffering and shmiling.” Fela was a strong opponent of hypocrisy in religion. His music was in turn complemented by his dancers who were lively elegant, sensual, and beautiful. Their contributions to the show were as important as Fela's words. He was a political activist Fela Kuti used music as a weapon to challenge oppressive authorities. He steered his knowledge of American jazz and funk to African patterns and rhythms, creating a sound that is braced for a fight. Most of his songs start with slow-burning instrumentals, then layering short-lined melodies and riffs until they burst with urgency. In contrast to many artists who were hesitant to expose their political beliefs, Fela was fearless and unbending. He stood up for his beliefs even when it was dangerous to do so. His mother, Funmilayo Runsome-Kuti was a prominent feminist who was the leader of the Nigerian Women's movement. His father was both a protestant minister and the president of the teachers union. He also established Kalakuta Republic – a recording studio and commune that became a symbol of the resistance. The government raided the Kalakuta Republic and destroyed property, as well as injured Fela. He refused to give up and continued to speak out against the government. He died from complications of AIDS in 1997. He was succeeded by his son, Femi, who continues to continue his musical and political legacy. He was a father Music is often seen as a political act with musicians using lyrics to call for change. However, some of the most powerful music-related protests don't rely on words at all. Fela Kuti was one such artist, and his music still rings out to this day. He pioneered Afrobeat, combining traditional African harmonies and rhythms with funk and jazz inspired by artists like James Brown. Funmilayo Ransome Kuti was Fela's activist mother. She was a unionist who fought colonialism. She helped form the Abeokuta Women's Union and fought against gender-discriminatory taxation laws. She also studied marxism and believed in the idea of a Nigeria that was serving its the entire population. Fela's son Seun continues his father's legacy through a band called Egypt 80 that's touring the world this year. The Egyptian 80's music blends the sound of Fela with a sharp critique of power structures that still exist today. The new album, Black Times, will be released in March. Many fans gathered to pay their respects at the funeral at Tafawa Balewa square. The crowd was so big that police were forced to shut down the entrance to the venue.